Cole Porter: Anything Goes

Times have changed
And we've often rewound the clock
Since the Puritans got the shock
When they landed on Plymouth Rock.
If today
Any shock they should try to stem
'Stead of landing on Plymouth Rock,
Plymouth Rock would land on them.

In olden days, a glimpse of stocking
Was looked on as something shocking.
But now, God knows,
Anything goes.
Good authors too who once knew better words
Now only use four-letter words
Writing prose.
Anything goes.
If driving fast cars you like,
If low bars you like,
If old hymns you like,
If bare limbs you like,
If Mae West you like,
Or me undressed you like,
Why, nobody will oppose.
When ev'ry night the set that's smart is in-
Truding in nudist parties in
Studios.
Anything goes.

When Missus Ned McLean (God bless her)
Can get Russian reds to "yes" her,
Then I suppose
Anything goes.
When Rockefeller still can hoard en-
Ough money to let Max Gordon
Produce his shows,
Anything goes.
The world has gone mad today
And good's bad today,
And black's white today,
And day's night today,
And that gent today
You gave a cent today
Once had several chateaux.
When folks who still can ride in jitneys
Find out Vanderbilts and Whitneys
Lack baby clo'es,
Anything goes.

If Sam Goldwyn can with great conviction
Instruct Anna Sten in diction,
Then Anna shows
Anything goes.
When you hear that Lady Mendl standing up
Now does a handspring landing up-
On her toes,
Anything goes.
Just think of those shocks you've got
And those knocks you've got
And those blues you've got
From those news you've got
And those pains you've got
(If any brains you've got)
From those little radios.
So Missus R., with all her trimmin's,
Can broadcast a bed from Simmons
'Cause Franklin knows
Anything goes.

References

Uploaded on Apr 25, 2011 by warholsoup100

Wikipedia: Anything Goes (Cole Porter song)
"Anything Goes" is a popular song written by Cole Porter for his musical Anything Goes (1934). Many of the lyrics feature humorous (but dated) references to various figures of scandal and gossip in Depression-era high society. For example, one couplet refers to Sam Goldwyn's notorious box-office failure Nana, which featured a star, Anna Sten, whose English was incomprehensible except to Goldwyn, who came from the same part of Europe. Other 1930s society references include film producer Max Gordon, socialite Evalyn Walsh McLean and her highly promoted trip to the Soviet Union, interior design pioneer Lady Mendl's scandalous predilection for performing hand stands and cartwheels in public at the age of 70, and the financial woes common to "old money" families during the Depression, such as the Vanderbilts, Rockefellers and Whitneys. Most modern versions omit these lyrics, replacing them instead with generic examples of social upheaval.

Wikipedia: Anything Goes
Anything Goes is a musical with music and lyrics by Cole Porter. The original book was a collaborative effort by Guy Bolton and P.G. Wodehouse, heavily revised by the team of Howard Lindsay and Russel Crouse. The story concerns madcap antics aboard an ocean liner bound from New York to London. Billy Crocker is a stowaway in love with heiress Hope Harcourt, who is engaged to Lord Evelyn Oakleigh. Nightclub singer Reno Sweeney and Public Enemy #13 Moonface Martin aid Billy in his quest to win Hope. The musical introduced such songs as "Anything Goes", "You're the Top", and "I Get a Kick Out of You."

Wikipedia: Cole Porter
Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. Born to a wealthy family in Indiana, he defied the wishes of his domineering grandfather and took up music as a profession. Classically trained, he was drawn towards musical theatre. After a slow start, he began to achieve success in the 1920s, and by the 1930s he was one of the major songwriters for the Broadway musical stage. Unlike many successful Broadway composers, Porter wrote the lyrics as well as the music for his songs.

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